abstractSynopsis:
A Cai returns to his hometown again because he dreams of uncle Taco's accidental death. Happening to see old photos of his father Shark, uncles Taco and Toro, he starts a journey to trace his origins. Back in 1935, therewere many armed struggles against Japanese in Taipei. In the midst of ongoing social upheavals against the Japanese, Affected by the trend to struggle for Taiwan's freedom and democracy, positivethe optimists-- Shark, Kung-Fu master Taco and intellectual Toro-- becaome sworn brothers and upheld the democracy and freedom in Taiwan as their ultimate goals. Not soon after, tThey knowbefriended a pair of sisters who just returneding from Japanese,-- Yuki and Ai-jang. During the intimate interactions, they develop deep relationships. The five of them gradually deepened their relationships and became intimate with each other. Continuing with the performance formaesthetic styles of Part 1 and 2, Part 3 adopts light and funny opera-style koa-a-hi. The difference lies in the plainer stage setting.This performance, nevertheless, deviates from its predecessors in its more demure stage setting. Incorporating the local legends of Liao Tian-Ding, and those of the of Japanese army of ninja andin black-and-white videosforms, this part delivers heavier aura than the previous parts.sequel appears to be heavier than the previous ones.